'Layering Colour / Step No.2' (2017) bricks, plaster bandage, synthetic polymer emulsion, felt, paper, plywood, cardboard

'Teasing Between Two Points' (2018) plywood, timber, galvanised steel

'Gravity And Messy Mass' (2018) plywood, timber, unfired stoneware

'Permanently Impermanent' (2018) tarpaulin, rope, foam core, synthetic polymer emulsion

digital photograph

'primed and ready', the first of four installations.
flour, polyvinyl resin and synthetic polymer emulsion

'blind fold' (video stills)
duration: 20 minutes
materials: found venetian blinds and duct tape.
a record of the blinds falling off the wall one by one until they become a sculptural tangled mass on the floor. 

2/5/17

an investigation into the existence of material essence and its limits when manipulated by the hand. The focus is on very visceral and evocative encounters with sculpture, painting and installation, the work existing somewhere between these ideas.

no strings attached - 3/5/17

10.33PM

painting about painting 

10.25PM

this brick fell out of someones wall on the street so I took it and nested it in my trendy pink daiso cushon

'WOMB' - 10 minutes

thank you for the intimate moments - i was scared and short of breath and dizzy and relaxed.
as an instruction piece, audience members were invited to come up and wrap me as tightly as they could in multiple bed sheets, pinning them in place.
an exploration of the body in space, of swaddling as both a relaxation and a feeling of tension or anxiety.
trust, endurance, and the body as sculpture were also considered.